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My Tracks 3 4 42 Inch

So you've announced that the theme of your third album, 'Follow My Tracks', is that of a 'journey'.

Yanagi Nagi: I personally really like taking trips when I have time off and just traveling around the country, but these last two years I've had more opportunities to go abroad as well. It all started when I thought of the excitement of being on a trip, the sadness that comes with it ending, all of the different places I'd like to visit, and trying to fit all of it into one album.

I see. What kind of places have you visited?

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Yanagi Nagi: I went swimming with dolphins on the Izu Islands, or went to Tochigi by car and ate a lot of gyoza, for example (laughs). I like to experience the scenery and culture of all kinds of different places.

How did you put the charm of going on a journey into sound?

Yanagi Nagi: As far as composition goes, I think my idea of a 'journey' might differ from that of other artists. Fontexplorer x pro 5 0 1 download free. A 'journey' can come in many shapes and sizes, so to avoid creating too concrete an image, I left it up to my staff. What I did request was being able to use my voice as an instrument in unique ways, as well as making steadily flowing music that's constantly expanding, I guess.

This album embodies a feeling of scenery even moreso than your previous works.

Yanagi Nagi: The song 'Mirai Pencil' for example, written by Shinya Saitou, was actually created while we were on a trip. He put all of the historic ruins and other sights into music for the song.

Mirai Pencil starts as a grand symphonic rock piece, but contrary to our expectations, the melody becomes unpredictable throughout the song.

Yanagi Nagi: It's a song where hopes and wishes really come bursting forth. This album contains a comparatively large number of songs that I was able to create freely. Not just composing songs like A melody and B melody followed by the hook, but rather I was able to create to my heart's satisfaction many songs that unfold in unique ways.

I noticed that in the song 'Terminal' as well, you incorporated various pop rock gimmicks like the kind that Kitagawa Katsutoshi might use.

Yanagi Nagi: The sound isn't very straightforward, is it. We inserted a lot of noise too. The song 'Terminal' really goes well with this album's image. Speaking of Kitagawa Katsutoshi, I think 'Yukitoki' and 'Harumodoki' create a strong image, but I'll never forget the B-side 'Oto no Nai Yume'. When I said I wanted to make another song like it but differently, a demo of 'Terminal' was put together immediately. As soon as I heard it, I thought, 'This is it!' That's why I thought it would be perfect as the climax of the album.

Where did you come up with the ideas for the lyrics from?

Yanagi Nagi: I thought of the many different forms a 'journey' can take. Of course there's actually going out on a trip, but if you think in more spiritual terms, there are also more abstract 'journeys' such as that of self-discovery. With that motif in mind, I picked up the lyrics by matching it with the melody. There's not a single plot for the whole album, but rather each song has its own story. 'Camel Back Town' is pretty easy to understand. A girl from the country travels to Tokyo and her wonder excitement at the city landscape is depicted in a concrete manner. On the other hand, 'Parallel Elevator' takes place in the elevator of one's workplace, where as the doors open one thinks, 'I wish I could go to another world,' or 'If only a dream world would spread before me.' The lyrics are based on that delusional mindset. I've taken both 'journeys' of reality and fantasy and sort of mixed them together to create a single album.

Particularly in the first half of the album, there are a lot of songs that depict the 'journeys' that one can discovery in everyday life.

Yanagi Nagi: It's true that there are a lot of songs in the first half that deal with the feeling of being in the everyday and thinking, 'I wish I could go somewhere.' I've often felt the same way (laughs). Even while writing the lyrics I couldn't help looking at travel sites and ended up getting pulled into some fantasies.

Even so, about halfway through in 'Monochrome Silent City' the mood of the lyrics takes a sudden turn.

Yanagi Nagi: For this album, I'm mainly singing about the feeling of wanting to go somewhere, but this song finds itself seeing someone off. I can't go anywhere, but I happen upon an abandoned animal and see a certain similarity: neither of us can go anywhere. But one day, the animal disappears off somewhere. So it's a story where I'm consumed by the feeling of being left alone. The second half of the album doesn't cover the ordinary, but rather the world of extraordinary journeys, so I wanted to make this song something of a melancholic end to the everyday.

I see. In the second half, majestic and lively songs seem to become the center.

Yanagi Nagi: For example, the circus troupe-like sound of 'Yatenmaku', or the sensation of youth in 'One Room Travel'. For the lyrics in the second half, they exhibit more determination, or I guess you could say they clearly depict the beginning and the end of a single 'journey'. And wishing for the journey to be a good one only makes this feeling stronger. The lead song for that peak is 'Terminal'.

In 'Terminal' you even sing as far as the answer you gained from the journey. In the final phrase, you say, 'The only treasure I have is…' For you, what kind of treasure is that?

Yanagi Nagi: I intentionally put an ellipses there so that anyone who listens to it will be reminded of their own 'treasure', but if I had to say, for me it's my 'body'.

Your body is your sole treasure?

Yanagi Nagi: I came to that conclusion because when going on a trip, a lot of personal items and emotions are necessary, but in the end, if you yourself don't exist, nothing will happen. Even for the album's final track, 'I won't go anywhere', this is my reasoning. Even if you don't go anywhere, you still exist, and are still standing here. It's not important to go somewhere, but rather it's important to understand that you yourself exist here. I wanted to send that kind of message.

After going through the whole album, I got the impression that the current Yanagi Nagi is really singing with a human heart. I wonder if you could say that you've come from an abstract world with a mystical image to one that's more free.

Yanagi Nagi: Having just released my third album, performed a bunch of lives, and had the opportunity to meet many different people, I've become really aware of how much my lifestyle has changed since back when I used to make music on my computer and upload it to the internet. Back then, it wasn't like I wasn't interested in people, but rather I didn't really think about how people think differently. But it's fun to know that everyone has all kind of different thoughts. My very introverted self really shows in my first and second albums, 'Euaru' and 'Poliomino', but I feel like I've broken away from that this time around. The former me would never have written 'Rooster's Song', for example. Adding claps, whistles and cheers… That kind of feeling. This kind of song could only created by the me that has come into contact with more people and opened up, and I think that side of me shows.

Although, the Yanagi Nagi who is supposed to be singing about wanting to travel somewhere ends the album with a song titled 'I won't go anywhere'. Isn't that a bit like your former self?

Yanagi Nagi: My poisonous nature won't fade away yet (laughs). But I think a positive message akin to 'Find happiness in the little things' will come through in the end. It might have become more cynical in the past, but now I think this kind of message should come across in a straightforward manner.

You're starting a tour right away too.

Yanagi Nagi: I'll be going to Hiroshima and Niigata for the first time. For lives, the reaction of the audience comes in many forms, so I'm looking forward to see how the songs will change. We're at the stage now where we're working hard on the production and also arrangement of the songs.

What kind of plans do you have for this tour?

Yanagi Nagi: Of course, I'd like to come up with some visuals and lighting like last time, but this time I think I'd like to incorporate some different things to make it more of a show. This album's sound was created with live shows in mind to begin with, so both exciting songs as well as songs you can listen to quietly like I used to do are coming together to create a very personal balance. Also, I'd like to create the mood with everyone that comes to the lives.

Speaking of which, even in the music video for 'Terminal' we've come to see your rare facial expressions.

Yanagi Nagi: That's true. I guess I'm more liberated now, and I feel like the door to my heart is opening (laughs).

Source: http://natalie.mu/music/pp/yanaginagi12 Wave arts panorama 5 89.

Cover My Tracks is the first studio album by English singer-songwriter Charlie Fink. The record was released 2 June 2017.^[1] The album is paired with a stage play of the same name.^[2]

Background[edit]

Following on from the break-up of English indie rock band Noah and the Whale,^[3] of which he was the frontman and songwriter, Fink released a song in mid-2015 on his SoundCloud called 'My Heartbeat Lost Its Rhythm'.^[4] Fink then began to write for productions at the Old Vic, including The Lorax,^[5] as well as writing the music for the film A Street Cat Named Bob.^[6]

In early April 2017, the Old Vic announced a new show for June of the same year, called Cover My Tracks,^[7] in which Fink would be starring. At the same time, Fink announced he would be releasing a studio album of the same name, releasing a single 'Firecracker' on his Vevo, and announcing a release date of 2 June 2017.^[8][9]

Track listing[edit]

All tracks are written by Charlie Fink.

Release history[edit]

My Tracks 3 4 42 Mm

References[edit]

1. ^'Cover My Tracks'. Amazon.com. Retrieved 10 April 2017.
2. ^'Cover My Tracks – The Old Vic'. oldvictheatre.com. Retrieved 10 April 2017.
3. ^'Noah and The Whale split up in order to focus on solo projects – NME'. NME. 1 April 2015. Retrieved 10 April 2017.
4. ^music, Guardian (1 July 2015). 'Listen to Charlie Fink's single My Heartbeat Lost Its Rhythm'. The Guardian. Retrieved 10 April 2017.
5. ^'The Lorax – The Old Vic'. oldvictheatre.com. Retrieved 10 April 2017.
6. ^Masterworks, Sony Music. 'A Street Cat Named Bob – Original Motion Picture Soundtrack Available November 11'. PR Newswire. Retrieved 10 April 2017.
7. ^'Cover My Tracks casting news – The Old Vic'. oldvictheatre.com. Retrieved 10 April 2017.
8. ^'Cover My Tracks'. charliefink.co. Retrieved 10 April 2017.
9. ^CharlieFinkVEVO (5 April 2017). 'Charlie Fink – Firecracker'. Retrieved 10 April 2017 – via YouTube.

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